LSD and Creativity
This literature review (1989) looks at creativity and LSD. This is mostly done through the lens of artists who painted over 250 works.
Authors
- Janiger, O.
- Dobkin De Rios, M.
Published
Abstract
The effects of lysergic acid diethylamide (LSD) on creativity were examined in a unique experiment in the late 1950's. In this project, artists were asked to draw and paint a Kachina doll both prior to and one hour after the ingestion of LSD. Evaluations of these artistic productions were analyzed by a professor of art history in order to investigate the impact of LSD on artistic creativity. Certain representative changes were found in the artists' predominant style. The most significant change was noted in those artists whose styles were intrinsically representational or abstract to more expressionistic or nonobjective. Other changes noted included the following: relative size expansion; involution; movement; alteration of figure/ground and boundaries; greater intensity of color and light; oversimplification; symbolic and abstract depiction of objects; and fragmentation, disorganization, and distortion. Many artists judged their LSD productions to be more interesting and aesthetically superior to their usual mode of expression. The above-mentioned changes contributed to the artists' convictions that they were fashioning new meanings to an emergent world.
Research Summary of 'LSD and Creativity'
Introduction
Earlier debate about lysergic acid diethylamide (LSD) has often included claims that the drug can enhance creativity, but objective evidence has been scarce and inconclusive. Janiger and colleagues note a literature composed largely of self-reports, anthropological anecdotes and a few small, methodologically weak experimental studies; some of those prior investigations suggested enhanced aesthetic qualities among practising artists, whereas studies using unselected student samples tended not to find improvements on standard creativity tests. Capturing the transient and subjective elements of creative experience has therefore remained challenging. This paper reports on an art subproject embedded within a larger experimental programme begun by Janiger in 1955, in which the effects of LSD on artistic production were assessed under controlled, nonmedical conditions. The study aimed to compare artworks made by professional artists before and during the acute effects of LSD, using a repeated-task design in which artists drew and painted a Deer Kachina both prior to and one hour after ingesting the drug, and to subject those works to formal stylistic analysis in order to characterise drug-related changes in artistic style and perception.
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Study Details
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- APA Citation
Janiger, O., & de Rios, M. D. (1989). LSD and Creativity. Journal of Psychoactive Drugs, 21(1), 129-134. https://doi.org/10.1080/02791072.1989.10472150
References (1)
Papers cited by this study that are also in Blossom
Harman, W. W., McKim, R. H., Mogar, R. E. et al. · Psychological Reports (1966)
Cited By (3)
Papers in Blossom that reference this study
Murphy, R. J. · Psychopharmacology (2024)
Costa, M. A. · Journal of Psychoactive Drugs (2022)
Humphrey, D. E., Mckay, A. S., Primi, R. et al. · Imagination Cognition and Personality (2014)
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